Raw vs. Subdued Emotions: Getting them Right in Your Story

Last week I talked about point of view penetration, and in that post I said that "Often I see writers who zoom in and zoom out of their character's viewpoint seemingly randomly. I'll see scenes written in distant third-person when it would be better in close third-person."

I pointed out that how deep you want to get into your character's viewpoint depends on the effect you want for your scene, what makes a better story, and how raw and tense the emotion is.

So today I'm going to give some pointers to help you discern when your character's emotions are (likely) raw or subdued.

Raw Emotions

Raw emotions are usually very intense. They're fresh, so the person feels them sharper, sometimes to the point of being irrational.

As human beings, we usually feel raw emotions in the moment. The temporally closer we are to the incident that incited those emotions, the more raw our emotions will be. If I just found out that a friend back-stabbed me, my anger would be sharp and somewhat uncontrolled (at least internally). But the next day, they will likely be more controlled, more subdued, as the situation "sinks in."

Here are some things to keep in mind to help:

The more severe the incident, the more raw the emotions.

The more unexpected the incident, the more raw the emotions. For unexpected incidents, people usually feel surprise or shock first. So, you might want to consider that when writing.

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Point of View Penetration

Over the last few weeks, I've been talking about point of view. I talked about first person, third person, and then last week I talked about some ways to pick your viewpoint character for a scene. This post follows up on those. It's about point of view penetration.

Penetration

In the fiction-writing world, the term "penetration" refers to how deep the narrator gets into the viewpoint character's point of view. (What is with some of the writing terms?) People usually use it in reference to third person point of view. Many say that penetration, and its different levels, doesn't relate to first person since in first person we are always in the character's head, and therefore, we're always deep into their viewpoint. I'm going to argue against this somewhat, but first I'll talk about penetration in reference to third person since that's how it is usually used.

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My Salt Lake Comic Con Schedule

Quick post to let you all know I got my Salt Lake Comic Con schedule! :) Voila!

September 24th, 4:00 p.m. -- Harry Potter is In Your Head (In the Best Possible Way)

Description: We look for the Hogwarts Express and Platform 9 3/4 at every train station and think each owl we see is delivering letters. How has Harry Potter changed the way we look at the world around us?


September 24th, 5:00 p.m. -- Taking a Story over 9000! How DBZ Took Over the World

Description: DBZ has been an international sensation, leading its creator, Akira Toriyama, to become one of the richest writers worldwide. Get a writer’s perspective on the storytelling techniques he used to skyrocket his tale into the next dimension.


September 26th, 6:00 p.m. The Lasting Power of Harry Potter

(No description up yet)


And I got tickets to meet the actors who play Fred and George Weasley!

So if you're at SLC Comic Con, feel free to say "hi." :)

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Picking the Right Viewpoint Character for Your Scene

Hey guys, today I'm picking up right where I left off in my post about third-person point of view. If you didn't read that post and are just here to learn how to pick the right viewpoint character for a scene, no worries. I'll backtrack a bit. Last time I ended on writing in third-person limited, multiple viewpoints. I mentioned that right now a lot of people feel like you should only switch viewpoint characters between chapters (this goes for writing in first-person too). And others believe you should alternate chapters or cycle through viewpoints like this:

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Pros and Cons and Types of Third Person

Hey guys, I'm back to talking about point of view, which was requested by an anonymous follower. Again, there are people who have talked about this better than I can cover in a blog post. The two books I like are Characters, Emotion, and Viewpoint by Nancy Kress and Characters and Viewpoint by Orson Scott Card.

Like I mentioned in a post a few weeks ago, there are three points of view:

First-person: I thought I was going crazy.
Second-person: You thought you were going crazy.
Third-person: She thought she was going crazy.

But I forgot to mention (and another follower brought to my attention) that there are plural versions too.

First-person plural: We thought we were going crazy.
Third-person plural: They thought they were going crazy.

The plural versions are used even less than second-person, but, they have been done. I know there are some science fiction stories that are written like this because the story is about a hive mind. What about plural second-person? I guess that could be done too.

I did a post outlining the common pros and cons of writing a story in first-person that you can read here. In it, I gave some suggestions on how to get around the cons, and then deflated some of the others. But today's post is all about writing in third-person!

Third-Person

She thought she was going crazy.

In third-person, the narrator is someone watching and experiencing the story, but not participating in it. It's like the narrator is looking over the character's shoulder.

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Tips for Sequels and Focusing Ideas

elementrolls asked you: I'm one of those people who tends to have a lot of ideas from the get go, but I have a hard time deciding what's just a fun idea (that I might explore in a sequel or another book) and what really needs to go in the story. Any tips on focusing?

One of the pseudo-problems I run into when brainstorming happens when I get a bunch of ideas and suddenly I think I have to either pick this idea or that idea, when most of the time, I can use both ideas. So if you have a lot of ideas, try to see if you can use most of them.

With that said, there is a point where you have to stop yourself or your story will get longer than Lord of the Rings, which isn't a bad thing, but most writers aren't looking to write stories that long.

There are also times when you don't want to use all of your ideas; for example, if you are writing a medieval fantasy, you might not want to throw in time-traveling aliens after you already have a quest story for the main plot. Time-traveling aliens just doesn't fit.

For sequels, a good technique is to look at how you can broaden or deepen your storyline so that the conflict goes farther or deeper than the book before.

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Get My Writing Tips on Youtube :)

I know not everyone has time to read my blog posts, so now you can listen to me read them to you! ;) Or, tell you my writing tips, rather. And you can learn about writing when you are driving, cleaning, painting, exercising, eating, or skydiving!

Listen on Youtube

I'm in the process of putting them up, and I plan to upload a video twice a month.

I started with full-on video, but it was too time consuming to make, so now I've switched to just audio (with a still picture). This works better for a few reasons.

If you like my blog or Youtube, please Subscribe. All you need to do that is a gmail account.

Happy listening!

P.S. I found two four-leaf clovers over the weekend! Luck is coming my way :D

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Pros and Cons of First Person, How to Deflate the Cons

By request (you can thank anonymous), I'm going to do some blog posts on points of view, talking about the pros and cons, and how to get around some of the cons. I'll be pulling from two sources, Characters, Emotion, and Viewpoint by Nancy Kress and Characters and Viewpoint by Orson Scott Card. They are both good books to have for those learning the craft of writing, and they should be easy to remember since their titles are nearly identical. I like how the authors explain point of view in those books the best. They go in depth.

Now, there is a reason I'm pulling from those texts. There has been so much that has already been said on point of view that I didn't think I had anything new to add, but when I started putting this post together, I realized I did. Some of my opinions on point of view are different from the general rules. So, in this post, I'll list the general rules and then my own opinions on them after.

But let's start with the basics.

There are three points of view:

First-person: I thought I was going crazy.
Second-person: You thought you were going crazy.
Third-person: She thought she was going crazy.

Please note that narratives are hardly ever written in second-person point of view, but it has been done, by authors like Jay McInerney.  You usually see second-person in other forms of writing, like role-playing games or do-it-yourself books. Most novels and short stories are written in first-person or third-person.

Today, let's talk about the common pros and cons of first-person, and then I will go and debunk a lot of those with my own personal opinion and tell you ways you can get around some of them.

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Writing and Reading Stuff Going on

Hey everyone, I'm a little late getting my post out this week. I had family stuff come up over the weekend. I thought of just skipping this week's post but figured I had time to write something small about what's been going on with me.

I'm getting excited for Salt Lake Comic Con in September. I'm still waiting to get my full schedule for it, but this last week they announced that James and Oliver Phelps (who play Fred and George in Harry Potter) are going to be attending! Four years ago I got to meet some of the other actors and get their autographs in Florida when the last Harry Potte movie came out.

I definitely want to get James's and Oliver's autographs to go with them. :)

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A Reminder that People Can Create Whatever the Heck They Want

Recently, one of my all-time favorite bands, Muse had a new album come out, and its release reminded me of something that a lot of consumers, especially in this day and age, forget: Creatives can make whatever the heck they want.

Too often I hear fans complain about a creative's new work. When J.K. Rowling released The Casual Vacancy, I heard people gripe about how she should have written another fantasy, or specifically a Harry Potter sequel. One person even said if she had any business sense and wanted to make more money, that that's what she should have done. I once read an article where the writer couldn't understand why J.K. Rowling was even writing anymore; she'd already made so much money writing Harry Potter so why would she want to put in the work to write anything else?

Similarly, I saw people a little upset to learn that Suzanne Collins's (author of The Hunger Games) next writing project was going to be something "ordinary" and "boring."

Months ago, I was looking at Spotify with someone and we ran into a Lady Gaga album, Cheek to Cheek. All the songs had a very "old-fashioned" jazz sound. Nothing sounded modern. The person I was with said something like, "Why would she even make an album like this? No one is going to buy it. I bet her fans were all disappointed."

Well, here is a newsflash for all the consumers out there. Creatives don't exist to serve us.

They don't owe us a thing.

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Kicking "Great" Dialogue up to "Killer" Dialogue (with Interstellar)

I'll start off by being honest. This post can't decide if it wants to be an Interstellar post about dialogue, or a dialogue post with Interstellar as examples. In a lot of ways, there's not much difference. But basically, I'm going to talk about strategies you can use to help kick your dialogue up.

Similar to my What I Learned about Writing Action Scenes post and my 15+ Tactics for Writing Humor post, I've been . . . unsatisfied with the information available on writing killer dialogue. I read a couple of books on it and writing tips, but you know, I'm obsessive, and I wanted more.

Most of the dialogue tips I've read have been either on the grammatical basics of how to write dialogue, or really about how not to write dialogue. They might go through how to punctuate dialogue, and then talk about what not to do. They talk about bad dialogue.

Yeah, well, what about beyond all that stuff?

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Tips for Finding Writing Motivation

walking-with-turtles asked: Do you have any tips or advice for motivating oneself to get back into writing after having fallen out of practice? :3 

Hmmm, one quote I know comes to mind: “People often say that motivation doesn’t last. Well, neither does bathing - that’s why we recommend it daily.” - Zig Ziglar

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Interstellar: Ramping up Try/Fail Cycles

In writing, a try/fail cycle is the main character's attempt to resolve the story's problem. There are at least three try/fail cycles in every well-written story (of this structure). Often the main character will fail the first two cycles, but not always. In Interstellar, the first try/fail is the first planet they visit, the second try/fail is the second planet they visit, and the third try/fail is the black hole.

A good writer wants each try/fail cycle to be bigger or better than the previous one. That's one key to writing a successful story. Escalate. Escalate. Escalate. The writer has got to keep increasing the tension, the stakes, and the costs.

Like I said last time, Interstellar has huge stakes and costs, and the Nolans ramp them up to the max-- all at the first planet they visit, the first try/fail cycle! Most writers wouldn't be able to do that. Do you know why?

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