Showing posts with label Orson Scott Card. Show all posts
Showing posts with label Orson Scott Card. Show all posts

Friday, May 9, 2014

Win a Signed Copy of Ender's Game! Leave a Comment to Enter!

This giveaway is now closed.

I'm giving away a signed copy of Ender's Game! For a chance to win, just comment on this post! (Please note, you must be a follower of mine--either on Facebook, Twitter, TumblrGlipho, Google+, or this blog--to be eligible to win).



I am happy to ship outside of the U.S.A. if you will cover the shipping costs.

You can enter more times by liking this Facebook post, retweeting this tweet, liking and/or reblogging my Tumblr post, commenting on my Glipho post, or +1 this Google post--that means if you do all of that, you can enter to win seven times!

The winner will be selected in 2 weeks!

How I'll Pick the Winner

I will assign a number to each person who enters and use Random Number Generator to select a winner.

In the future, I'll try to bring something back to give away every time I go to a writing conference.

Monday, May 5, 2014

LDStorymakers Highlights: Learning from the Pros

First off, small announcement. I'm moving my Facebook Page to a Facebook Profile. So if you "like" my page, please make this less difficult for me by "following" or "friending" this profile. I'll eventually be deleting my page.



A week or so ago, I attended a writing conference called LDStorymakers, and I'm sharing some of what I learned by request. For those that don't know, a writing conference usually lasts a few days and provides attendees with the opportunity to learn from professional writers, editors, and literary agents. Some conferences, like LDStorymakers, also offer critiques from professionals and pitch sessions to agents. Every conference is a great opportunity to meet, befriend, and network with other writers.

This year, I was particularly excited to take classes from the author of Ender's Game, Orson Scott Card, and the author of Wheel of Time and Mistborn, Brandon Sanderson--both bestselling professionals.  

Here are the highlights of my experience.

Slush Pile Simulation

The first class I chose to go to was a slush pile simulation with literary agents and editors. "Slush pile" is jargon for "submission pile." People call it a "slush" pile because there is so much slush and junk in it. Here, the pros listened to an attendee's first page and, just like on some reality t.v. show, raised their hands when they would have decided to reject the manuscript. When all four judges had their hands up, the reader stopped reading, and each pro explained why they would reject the manuscript. Do they really reject a manuscript based on one page? Yes. My first page didn't get read, but it was interesting to hear why they rejected certain novels.

First Chapter Contest

Every year LDStorymakers holds a first chapter contest. I entered, and although I didn't win, I at least got feedback from five judges.  Unfortunately, some of the feedback was completely contradictory. Here are some short examples:

Friday, August 23, 2013

Editing From the Inside Out



As I'm editing my novel, I'm going through different passes, each one focused on one or two aspects of the novel. And I'm fleshing out the heart of the story before I worry about the details. Why focus on the word choice of a scene before I have the plot figured out? For all I know, I might have to cut the scene that I just spent a half hour nitpicking word usage over. So, when editing, consider focusing on the most important elements of the story before worrying about things like stylistic punctuation. Edit from the inside out because--

1- It saves on time. You're less likely to invest a large chunk of time into a scene that will eventually be cut or changed.

2- It makes it easier to cut what doesn't belong in your story. When you've invested loads of time into a plot turn or character, you won't rush to chop them out of your manuscript. It's like a long-term relationship. It's harder to say goodbye. If you edit from the inside out, on the other hand, you can do plenty of painless yanking.

Creating An Editing Plan


First, look at your manuscript, and decide what is most important to your story (or, what needs the most work): plot, theme, character, or setting. Those are the big four.