Writing Tips from Les Misérables, Part 3
I've been dissecting Les Misérables, and I have great news—my dissection has been published on Hypable.com, an online entertainment magazine with over 16,900 followers. You can view it on Hypable right here. Part three of my dissection will discuss perceptions, a complex antagonist, and epic appeal. (Read part one or part two.)
Plays with Perceptions
Les Misérables takes advantage of perceptions. As I mentioned before, Javert’s perception of Valjean is influenced by criminal stereotypes. Other characters view Valjean differently. The Bishop sees him as a brother. Cosette views him as a caring yet secretive father. But Les Misérables goes beyond other characters’ perceptions.
It also explores how Valjean sees himself. Hugh Jackman pinpointed it well in one of his interviews. He said that Valjean is striving to be a good person, but constantly sees himself falling short.As an audience, we get a perspective of Valjean that is somewhat different than all of these. Incongruent perspectives make this story more interesting.
Can you make perceptions surrounding your character incongruent? Having a character that is despised by others, but loved by readers is a common example, but still effective because it fosters sympathy for that character.
Valjean’s story wouldn’t have been as powerful if he and all those around him thought him to be a saint. Play with perceptions in your story to see if you can give it more of a punch.
Uses a Complex Antagonist
Like Valjean, Javert also feels inadequate in his relationship with God. In a different story, Javert could easily have been a hero. The problem isn’t so much his qualities as it is the imperfect laws he’s devoted himself to.






