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Wednesday, January 16, 2013

Playing with Foils

(Watch this post on Youtube here. Listen to it on SoundCloud here.)

 The Basics—


Foil: “a foil is a character who contrasts with another character (usually the protagonist) in order to highlight particular qualities of the other character.” (This definition is from wikipedia, but as an English graduate, I can tell you it's accurate)

Creating a foil for your character helps highlight your characters’ qualities. In Harry Potter, Harry and Voldemort are foils for each other. Harry is protected by love while Voldemort is harmed by it. Harry sacrifices himself to save others. Voldemort sacrifices others to save himself. Harry ultimately greets death like an equal. Voldemort does everything he can to escape it.  Because they are opposites, it's easier for readers to notice their attributes; Harry knows love, has courage, and serves others while Voldemort, in reality, doesn't have any of those.


In Les Miserables, Jean Valjean and Javert are foils. Valjean is full of mercy. Javert is full of justice. Valjean believes people can change and change for the better. Javert doesn't. Valjean breaks laws. Javert goes above and beyond to keep them. Their differences are more obvious when they have each other for comparison.

Often you'll see the protagonist foils the antagonist, (and often they will share similar origins,) but foils can be any two characters.

Taking it Further—


While by definition, foils refer to two characters contrasting one another, you can take it further. You can use foils in other aspects of your story. You can foil settings, creatures, dialogue, relationships, and pretty much anything else. In Lord of the Rings, the elves, with their beauty and grace, foil the orcs—each is more striking because of the other. Do you want to create a stunning setting? Create a foul one to contrast it. The more prevalent the foul, the more beautiful and special the stunning.
This concept is what makes Katniss in The Hunger Games such a remarkable character. The fact she volunteers to take her sister’s place is more astounding when we learn no one else has done such a thing in District 12. Ever. She is extraordinary compared to others.

In my story, I want to highlight how exceptional a particular relationship is, so I’m making sure to include horrible relationships in my plot as well.

Giving a Character Two Foils—


Another way to take this concept further is to give your character two foils and fit her in the middle of the two extremes. I can’t take the credit for this idea; I learned about it from my professor in my Shakespeare class, because Shakespeare used this method.

In Henry IV Part 1, Prince Hal is a character with two foils. On one side of him, there is Hotspur, who is obsessed with glory and honor, on the other side, there is Falstaff, who rationalizes that honor isn’t that important; after all, it doesn’t provide food or guarantee his life. Hal fits in the middle, and as such, the audience perceives him as “just right”--he is the perfect balance.

Like Hal, Frodo has two foils. While going to Mordor, he travels with Smeagol and Sam, who are opposites. Smeagol is obsessed, tormented, and consumed by the Ring. Sam, however, is free of the Ring’s power, having never held it. He sees the Ring for what it really is and regards Smeagol with disgust. Frodo fits in the middle. He relates to Smeagol, perceiving the creature as what he could become, and at times longs to keep the Ring. But Frodo is like Sam in his determination to destroy it. Sam and Smeagol help illustrate Frodo’s complexity.

(And as opposites, Hotspur and Falstaff, and Smeagol and Sam, foil each other as well.)

A Warning—


Be careful what direction you take your foils. For example, you wouldn’t want to make a woman look stronger by making all the men in the story complete idiots. So be smart about it.

So, I'm just wondering, what are everyone else's favorite foiling characters?

7 comments:

  1. Great post. I am just now creating a trio of friends for a fantasy novel. Or rather, I think it's going to be a trio. I had considered merging the two into one, but enhancing certain characteristics and using them as dual foils for the protagonist could be just the ticket. Very timely. Thanks.

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    1. Great! Glad this post could help. I like the dual foils too, and I think it can work to add tension because the two foils are likely to get in arguments with each other once in a while. Good luck with your novel.

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  2. This post is beyond words. . . I don't even know how to tell you how much I love it. Not only to you give fantastic advice, you did it wonderfully. Beautifully!

    So glad I found your blog! *Sharing it now*

    Konstanz Silverbow
    nothoughts2small.blogspot.com

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    1. Wow, thanks! Glad I could help. Thanks for sharing.

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  3. Ah! This is great! It's interesting to think about foiling relationships, creatures, and settings, beyond just characters. What a clever and practical way to deepen a book.

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  4. Sancho and Quixote, Tilly and Wallenstein, Kurogane and Fai, Iago and Cassio…
    To give female examples: Rainbow Dash and Fluttershy, Cosette and Éponine, Nagisa and Honoka, and most lately, AIda Mana and Kenzaki Makoto.

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    1. Great! Thanks for the extra examples :) (I love that you used Rainbow Dash and Fluttershy.) And I did need some female examples too.

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